Mela Boev trained in performing arts with Thomas Leahbart, Pino Costalunga, Antonio Fava, Chiara Guidi, and Claudia Castellucci. She studied decorative arts at the Academy of Fine Arts in Bologna and at ESDAC in Strasbourg. She has explored the idea of myth as a collective experience, a structural paradigm, a production approach, and, more recently, applied it to the writing of narratives for Comprehensible Input Language Learning and Augmented Language. She has collaborated with choral ensemble Musarc on projects that have informed the pedagogy and methodology of Field Studies since 2011, most recently on the production of The End of the World Service, Taranto, Italy, 2022. Since 2017, Mela has collaborated with the international dancing communities of DanceWell. There are three roots to my practice: Textiles, Stories, and Time. They are not intended to be strategies or devices, but rather imprints on a tortuous terrain where one can navigate imperfectly.’

Zuletzt aktualisiert April 2026