Marianne Greber is a photographer and artist based in Vienna whose work is grounded in extended fieldwork with communities at the margins of political and social visibility. Her projects have taken her to Havana, where she documented the lives of young people in the years of late Special Period Cuba (Sobredosis. Cuba, 2001); to the roadsides of Vorarlberg, where she spent time with the 160 men of the federal road maintenance service (Routewolves – Here We Are, 2015); and to the streets of Brazil, where she worked alongside transwomen to produce the photobook Sou Glamour, short films, and semi-documentary Life In Between (2008) – a body of work that refuses the stigma and sexual codification to which its subjects are habitually reduced. Further field studies followed in Oita, Japan (2016), Lima, Peru, and the Lake Constance region (2018). She was a long-time collaborator with performance artist Steven Cohen (2006–2013). In its state of publication, Marianne’s work occupies a transterritorial domain itself, from books and broadcast media to film, from public space and billboards to the registers of the journey and private encounter.
Last updated May 2026