Cameron Dodds UK

Cameron Dodds is an artist, researcher, and lecturer whose work moves between composition, theory-fiction, ritual practice, and technology. His current project, the Haunted Network Research Initiative (HNRI), is a speculative archive reconstructing the work of the ‘disappeared’ composer Cameron Dodds. Drawing on cybernetic strega-hacking, weirding as process, and magic as method, HNRI explores unstable zones between scholarship and invention.

Alongside this, Cameron runs Creativity Analysis, a post-qualitative framework that integrates philosophy and psychoanalysis to support resilience in creative practice. He regularly lectures on composition, creativity, and wellbeing at the University of West London, and has presented his research at institutions including the Jung Club (London), KASK (Ghent), and ZHdK (Zurich). He holds a PhD in Composition from the Guildhall School of Music and Drama, and his monograph Magic as Method: Praxis, Meaning, and the Re-enchantment of Process will be published by Intellect Press in 2027.

Cameron is also working on his debut novel, a maximalist exploration of English village greens, urination magic, mathematics, aliens, folk traditions, hauntings, internet speeds, and neuromancy.